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How Essay Writer Creates Your Papers: Short Story

Many a time, when the essay writer Canada is thinking about writing something new then he should not be thinking anything about what is the need of plagiarism checkers. It is for better, for paper writers should not think anything as such about it as most of the times, good essay writers from Canada feel from their heart when they try to write something, they come front and write those without any such distractions on the other hand when the Canadian essay writer knows it better whether the writing part is correct or not or whether he has borrowed anything from outside or not or whether what he has been writing about is absolutely genuine or not. Like a mother knows who is the father of his son, similarly, the Creator knows very well whether the written part is taken from elsewhere or is genuine and for this, the importance of plagiarism checker does not come into the picture at all in these scenarios.

First Step of the Essay Writer

When the professional essay writer Vancouver thinks about one concept from the mind of it comes from various nodes through which it can create and built entire scenario within which the prominent part of it is to make it real and permanent. For this, the utmost importance of it is to make the entire vision to completely new and innovative ideas and through which one can find the real path of ideas and the storyteller when someone is going to be with a real drive of experience of as storyteller. The complete path of the sequence through which entire gamut of applications of ideas is constituted cannot be underestimated to a sequential level where the path of the idea through which the entire system of storytelling needs to be attended to a greater impact level to the imminent audiences from a distance.

The story is genuine and for this, the essay writer in Toronto has to set each aspect of the form in real term. As the five fingers are not the same, similarly, the five ideas are not the same, so when someone borrows ideas from others then there is every chance of him to be getting caught and for this it is important to have such an individualistic idea instead to have a proper and corrective path in order to have a completely different outlook towards what the individuals think of and in which way the entire gamut of ideas is changing and slowly becoming towards a real idea.

As the story belongs to one group and the same story changes to another group within a matter of minutes. When someone is writing about “Goodbye” it is not the plagiarism what others are talking about, it is about the same emotions and with which the entire gamut of ideas keeps on changing and all these give the better aspect of particular though which one Canadian essay writer has to carry it on further in order to find the real answer from all these.

Dealing With Emotions When Writing Essays

When the story is moving so as the emotions of the essay writers in Canada who are writing about the exact sequence of events and the movement and the accelerations goes the same way as one can find it when it gets into more and more emotional form. Emotions are different from one another and no one can find it what exactly happens when someone is trying hard to deal with it in terms of individual self-accelerated emotions.

In these surcharged emotional situations of writing down everything from the top to bottom, one can find the actual sense of ideas when one carries with it the fundamentals of happening of stories from the unadulterated vision to the imaginary vision. Still to date, when I am a child my mother used to tell me stories about, some similar stories, but utilized to modify according to my personal taste and mood.

So, here is not the sign of plagiarism instead my mother created stories from the set of already popular stories, in this way a new form tells and stories come to the front and this creates the original story which is always felt newer to me.

How My Mother Helps Me With Essay Writing

Now, I am thinking about how my mother is thinking about such stories and not even bothered about it of any worry as from my side time and again I have been asking about questions and other forms of queries to my mother and she with patience always tries hard to let me understand all these aspects of life with ease without any such feeling of distractions. It is the first sense of learning which both parents always were thinking about their offspring and the patience with which they have been dealing in these situations has been extraordinary.

The essay writer from Canada has to learn all these tricks and in this way when the story is being built upon one had to see the situation in the entirely so that nothing obstacles would come and also he could bring upon a completely different and innovative story to the front.

Here is one such happening which has been the sense of creation of each bit of ideas that has been generating from the mind. One is such that the essay writer from Vancouver thinks that he should be seeing some verses of Hinduism in order to know and polish the thought processes and for this it is essential to have a completely different outlook and also one has to see the world in the eyes of some virtual mirror so that everything that can be looked upon from that side can come to the forefront without any such animistic  behaviors.

All these virtual situations make the complete sense of mirrors outside the imagination to connect it from one side of situations to the other side with ease and complete passion. All these are the sense of inevitable imaginations and other forms of the sequential form of creations which can make the world to look beyond the destination of authentic possibilities which can control the movement and passions of storytelling to its maximum.


For this, it is always advantageous to think about such and such situations when creating a story and if all these steps are considered from the proper perspective when there is no denying that one can find the perfect novel form of storytelling without any such disturbances. It is always amusing to see the stories of other sources as the Internet provides a huge gamut of the library of information without the doubt. Inspire from all these sources and collect the bullet points from all these in order to have perfectly clear and lucid information from all these to have a sufficiently wonderful collection of information before writing any such valuable data from separate sides.

All these collections make the writing a textbook to meet the standard of singular values and parameters of thinking and all these makes the sense of a perfect article which is new, inventive as well as straight from the minds of the author.

A Story About One Essay Writer

Life is literature and literature is life. Without literature life is meaningless. Literature is an expression of life and one cares to study it chiefly on account of its profound and enduring human significance. This presupposes that any writing devoid of deep and lasting human interest cannot be considered literature, in the real sense, the word “Literature” enables one to have a very close and fresh relation with life. Life without literature would be colourless and literature without life-values would be meaningless. People have reached a stage where literature has to justify its existence only by the social commitment it reflects. Every essay writer in Canada is a member of society; so his works would reveal the conditions of his contemporary scene: “The essay writers Canada is not only influenced by society: he influences it (Wellek 102).

Novel means something new. Novel became a new genre in Literature. The earliest written composition was poetry. They came Drama. When a narrative Canadian essay writer provides writing in prose was attempted a name had to be given to that product. The name, novel came in handy. The English novel is more than 300 years old. The novel in English has evolved through various stages. The first novel was purely didactic. Its purpose was religious propaganda. The second stage of the English novel to which the works of Oliver Oliver were not for religious propaganda, but were not irreligious either. Religion was very much in the background. Religion was an integral part of the common man’s life. In these novels, religion was an important component of the average British life. The next stage in the English novel is when social life in English underwent a sea change, especially after the Industrial Revolution. The ethos of the Englishman has undergone a tremendous change.

Religion was not an essential ingredient of the social fabric. The novels of Hardy and George Eliot belonged to this place. Religious beliefs were very much doubted, though not questioned. The church was no longer the pivotal point of the English life.

Darwin’s Theory of Evolution questioned the very existence of God. Man became more and more pessimistic, agnostic and atheistic. The last phase was the evolution of the English novel, when religion was anathema. The IOth century novel, as the 20th century Drama, portrays the existential anger of the modern man, especially after the two world wars. Lord of the Flies and Waiting for Godot are examples of this modern trend. God, if there was one, is dead. Such is the evolution of the English novel.

Indian Literature in English is now accepted as an integral part of New Writing in English, It is taught as such in many countries around the world. Nobody denies the fact that India has contributed significantly to overall world literature. This contribution of India has been chiefly through Indians writing in English, novelists being in the forefront in this respect.

A good number of novelists on the contemporary scene have given expression to the Indian fiction in English as a distinctive force in the world fiction. To attempt creative expression on a national scale in an alien medium speaks of the profound quality of the Indian essay writers. They confront a complex dilemma of the modern world. It is indeed an irony that the growth and complexity of the Indian Literature in English as a whole, and the novel in particular is not fully appreciated in India or abroad. The focus remains on the precursors of this literature such as Rabindranath Tagore, Tom Dutt, Mulk Raj Anand, Raja Rao whose intimate and intricate scenery of the home country have led many successors to adopt their methods and diversity and later to explore new pastures.

Among the present writers of the novel in English and essay writers Vancouver, the foremost are Kamala Markandaya, Anita Desai, Manohar Malgonkar, Bhabani Bhattacharhya, Khushwnat Singh, Nayantara Sahga, Shashi Deshpande, Bharati Mukherjee, Anita Nair, Kiran Desai and numerous others. One of the reputed essay writer Vancouver and paper writers of Indian fictions, R.K. Narayan is best known for his use of the English language with Indian sensibilities. Most of his characters are typically Indian, rooted in the age-old local traditions “Malgudi, the fictional setting on Narayan’s novels and stories is an imaginary South Indian town. He has written about the town of Malgudi in ten novels and hundred and fifty one short stories” (Gokak 199). This makes him a regional novelist along with Thomas Hardy of England and Faulkner of the United States.

While R.K Narayan was born and bred in the South, Mulk Raj Anand was born in Peshawar and spent the formative years of his life in Punjab. Therefore, he portrays Pimjabi characters and Punjabi life with great minuteness and realism. Anand’s realism is also seen in his portrayal of all aspects of lie, even the ugly and the unseemly ones. He does not eliminate the ugly aspects of human nature from his pictures of life. Anand is humanist, a proletariat or Marxist humanist.

Raja Rao, the third foremost Indian novelist writing in English of the post-Independence era, possessed in the highest degree the gift of creating living characters. His characters are not mere symbols. They are creatures of flesh and blood, compounds of weakness and virtues. Raja Rao is a great son of Mother India, and his greatness has received national and international recognition. He won the Sahitya Academy Award for his The Serpent and the Rope, which has been called the best Indian-Anglican novel ever written. His first novel, kanthapura, attempts an appraisal of the efforts made by Indians under the leadership of Mahatma Gandhi to attain freedom. His next novel, The Serpent and the Rope, has been termed as a spiritual autobiography. It is distinguished for its typically Indian form. He presents what he encountered in the world and the various experiences his mind undergoes. The Indian novel in English has developed by leaps and bounds from its most primitive stages to more advanced and interesting realms. Many essay writers have contributed generously to the fruitful development of this genre and new issues and themes have been undertaken for study. The genre lends to new approaches, and the most modem development in the west is reflected in the Indian novels in English.

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From Mulk Raj Anand to Manohar Malgonkar, from Kamala Markandaya to Anita Desai, one discovers in them an ever- growing awareness of reality. “Their portrayals speak for the philosophy and technique they represent” (Awasthi 95) Most of them have concentrated on socio-cultural backgrounds but Anita Desai was the first to explore the modem Indian sensibility. “Her preoccupation is with the inner world of sensibility rather than the outer world of action” (Iyengar 464). Contemporary women novelist, Shashi Desh Pande moves further and touches on the subtle psychological complexities of the individual mind.

The major Indian novelists follow their own patterns. R.K Narayanan writes novels wherein religion is not openly mentioned. His novels are not irreligious. Mulk Raj Anand’s novels are all about social problems. Religion has no place or relevance there. Raja Rao has a deep and abiding faith in the fundamentals of religious belief he grapples with this fundamental passion of man and delineates situations and portrays character on a vast canvas.

In recent times, a great body of historical fiction has emerged on the literary scene. Many Indian-English novelists have turned to the past as much to trace the deepening mood of Indian nationalism as to cherish the memories of the by gone days. A close study of the contemporary novel reveals essay writers preoccupation with our historical past and the unabated interest of the readers in the novels that depict the past or that treat some event of national importance that has had wide repercussions. The Indian novelists in English like their counterparts in Indian languages, responded to these happenings with a sense of great sensitivity. A number of novels were written on the theme of partition, the destruction it brought and the plight of the refugees. Khushwant Singh is one of the most significant authors in the field of contemporary Indian literature in English who wrote on the theme of Partition.

Indian and western traditions helped shaped the mind of Khushwant Singh. Though deeply rooted in his own culture, he was moulded by the Western education that he received in India and In England. He himself has said that he is the product of both the East and the West. His writings reveal a happy blending of scientific relationship and liberal humanism. Interestingly, Khushwant Singh did not become a full time essay writer by choice. The decision to write came to him only when he found something compelling to write about. This was at the time of partition; he was greatly moved by the harrowing events during those turbulent days. His outlook to life underwent a drastic change. He few thoroughly disillusioned with the then contemporary situation. Khushwant Singh was a witness to the holocaust that followed the wake of the partition of the country. . It was indeed one of the bloodiest upheavals of history that claimed innumerable innocent lives and loss of property. The traumatic experience made Khushwant Singh restive and in order to give vent to his feelings he took to writing and hence he came up the novel Train to Pakistan.

Khushwant Singh is the most contented fore-runner of the Punjab creative writing. In Punjabi creative writing under a thickly crusted moral and ethical cover smolders and robust and vigorous preoccupation with sex. The artist’s preoccupation with the body and blood is one of the most significant aspects of Punjabi literature. It is reflected in romantic folk songs and also in the rustic’s everyday speech and idiom. Although respectability-ridden, morally smug, vociferously virtuous middle-class essay writers decry these tendencies or try to ignore them altogether, they continue to contribute to the spirit of the time and dominate a sizeable quantum of creative writing in Punjabi today. Even Amrita Pritam, one of the most distinguished poets of modern Punjabi literature, whose writings are marked by romantic idealism, uninhibitedly deals with the themes of extramarital love, violent infatuating, intense physical passion, and sexual violence. Batlavi’s poetry illustrates the modem Punjabi literature’s dominant preoccupation with love and sex. Shiv Kumar Batlavi’s Akademi-Award winning poem, Loona presents several sexual images; for instances, he compares woman’s body to a water jug. Batlavi’s poetry is a protest against the smug superficiality of the establishment. Kartar Singh Duggal is another distinguished, if also rather rebellious and challenging, novelist, who deals with violence as a primary facet of human experience. His novels are peopled with abnormal characters. Neurotic women, perverted priests, perverse teachers, and agonizing homosexuals,. His novels Nail and Flesh (1969) which is set against the violent political events of 1947, movingly portrays the tragedy of the partition and its disastrous effect on the peaceful pastoral life in Punjab. Other novelists in Punjabi literature, such as Jaswant Singh Kanwal, Santok Singh Dhir, Gurudial Singh, and Kulwant Sing wirk, deal elaborately with rapes, riots, abductions, murders, physical violence, and other aspects bearing on the fiery passions of rural Punjab. Obscenity is another interesting and rather puzzling, factor of this particular kind of creative writing in Punjabi literature. Morally hyper sensitive custodians of social conducts have seriously objected to what they term blatant exhibitionism in Punjabi fiction. These upholders of moral rigor, aided by like-minded bureaucrats, engage themselves in a furious witch-hunt of authors and artists for even a possible remote implied reference to sex. To them, sometimes such simple words as legs and breasts have ominous context and meaning.

Khuswant Singh too forms part of this healthy, virile, realistic tradition of creative writing in Punjabi and Urdu, and the essential spirit of that writing seems to have inspired him. In an Evening with Authors Program in Bombay (Monday, December 1, 1969) he is said to have discounted all surface criticism of obscenity that he uses four lettered words in his writings, he declared with his characteristics humor, Punjabi creative writing as well as Indo-Anglican writing has influenced Khushwant Singh as essay writer of fiction.

It is advantageous to take note of the background of the novel in India in general and of Indian writing in English and Punjabi literature in particular. The novel as a form of art is the outcome of the impact of Western literature on Indian writings and sensibility. The flair for exaggeration, characteristics of ancient India classical literature, was fatal to the novel, which has been rooted in a realistic tradition; realistic portrayal aims at a reportorial account of the experiences of individuals, whereas the Indian tradition of the epic thrives on epic similes, ornamental language, conceit, and hyperbole.

Though Indian epics contain many realistic elements, on the whole their effect worked in a direction opposed to what one understands by Hereray naturahsm, so effectively expressed in the late nineteenth-century French and English novel.

Khushwant singh is one of the most significant authors in the field of contemporary Indian English novel. He was born in 1915 at Hadali in West Punjab, now in Pakistan. He attended St. Stephen’s College, university of Delhi and later on King’s college , London, for a while, he worked as professor of Hindu Law at the Lahore Law college where he trained people to become inspectors, Layers, and Judges. Then he felt a sudden urge to throw away his law books and the Partition helped him to do it with ease.

In 1947, Khushwant Singh was appointed information Officer of the Government of India. Stints at various embassies, including the one in London, which was marked by a temptuous and contemptuous relationship with the volatile Krishna Menon, saw him also writing his first novel Train to Pakistan that became a best seller. Both Indian and Western traditions shaped his mind. Though deeply rooted in the soil and in his own culture. He was moulded by the Western education. Khushwant Singh’s life is indeed coloured by several factors, the most important of these being his having been associated with the world of journalism. His first journalistic assignment has a series of articles in 1965 for the New York Times, later he became a full time journalist as Editor of The Illustrated Weekly of India. Apart from this weekly, he has successfully pioneered the growth of at least three major publications in India, Yojna, New Delhi, and the Hindustan Times.

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The first major break through in Khushwant Singh’s literary career came in the year 1950. When he published his remarkable collection. The Mark of Vishnu and Other stories. Almost all the stories were based on real experiences or those related by his colleagues and friends. During his years in London and Ottawa, several of his stories appeared in English, Canadian and American magazines. These stories at once reveal Khushwant Singh’s extraordinary craftsmanship and his mastery in fusing theme and plot. Khushwant Singh attracted attention as a short story essay writer with The Mark of Vishnu and other Stories. Which has reappeared at different times as The Voice of God and A Black Jasmine. His other collection, A Bride for the Sahib, has gone into a new second edition.

In the short stories, Khushwant Singh is a conscious satirist who is attracted not to character but to type. He has no use for a situation or a plot in itself, for its human, coming or tragic potential. He cares for it only in so far as it helps him to illustrate the type to bring our satire. Satire has little place for atmosphere, except to parody it . Hence Khushwant Singh pays little attention to atmosphere in his short stories. Among the objects of his satire are the bureaucracy who rigs elections, the superstitious or hypocritical man of religion, the westernized Indian, the excessive solemnity of international conferences and other such matters.

One of the notable short stories, The Mark of Vishnu has an ironic meaning. It emerges from the two levels of meaning of the title. The “V” mark becomes a symbol of both protection and destruction. Here, the authorial objectivity is the hallmark of his craftsmanship. Khushwant Singh pronounces no judgment on this episode. He simply presents the problem and juxtaposes the opposites, namely, superstition and reason, pagan faith in animal deities and the sheer aggressive beastliness of the animal world.

Khushwant Singh is a skilled craftsman in unmasking the central character in the society. In the process, he is satirical or lively and lighthearted. His art of satirical portrayal is seen in Mr. Kanjoos and the great Miracle. The work Kanjoos and the Hindi equivalent of master, is of unscrupulous, premeditated and well-planned miserliness. They are figures of thin and also object of Khushwant Singh’s ridicule and satire.

The predominant quality of Khushwant Singh as a short story essay writer in his comic spirit. This spirit evolves in him spontaneously because of his observation of the bewildering phenomena of contradictions in life and the gulf that divides appearance from reality. One can find uniqueness in Khushwant Singh’s journalistic writings. Khushwant Singh has done good at provoking Indian readers in attempting to shake their hypocrisy, double-standardism and prudery. Khushwant Singh’s literary skill makes his pieces immensely readable. His piece on Manzur Qadir pays rich tribute to Pakistan’s former Foreign Minister.

He (Manzur Qadir) never said a hurtful word about anyone. And integrity, which surpassed belief He made upward of Rs. 50,000 a month; income-tax authorities were constantly refunding tax authorities he had paid in excess. It was commonly said, “God may lie, but not Manzur Qadir. “ Though Godless he had more goodness in him than a clutch of saints… He was the human touchstone of our moral pretensions.”.(Mehta 14)

Khushwant Singh’s views on prostitution, prohibition, kissing in films and such other controversial topics as that of a modern progressive and cultivated mind. But, here khushwant singh’s characteristic punch that he suspects many people who are eloquent against prostitutes do so because it gave then the opportunity to indulge in talks about sex and yet maintain a high moral image

Hostile critics of Khushwant Singh say that Khushwant Singh has never been taken seriously as a political journalist. They argue that his understanding of the complex political issues and cross-currents is so simplistic. Despite all that, Khushwant singh is widely read and talked about. This could be so because of the style and candor of his writing or his being the champion of communal amity or his being sensational and provocative. Above all, his writings are often marked by an honesty of purpose and carry the stamp of conviction. And his personality, as reflected through his writings, brings out a certain amount of warmth and simplicity.

However, it was with the publication of his first novel Train to Pakistan (1956) that critics declared the arrival of Khushwant Singh on the contemporary literary scene. The novel, Train to Pakistan first entitled Mono Majra, brought Khushwant Singh recognition and wide acclaim. This novel won him the Grove Press India Fiction Prize for the year 1956. Khushwant Singh was a witness to the holocaust that followed in the wake of the partition of the country. It was indeed one of the bloodiest upheavals of history that claimed innumerable innocent lives and great loss of property. Khushwant Singh himself commits that the novel was born out of a sense of guilt that he had done nothing to save the lives of his innocent people and behaved like coward.

I Shall not hear the Nightingale though reflecting the political upsurge of the early forties, does not take into account some important events that dominated the country that period. Khushwant Singh does not take cognizance of the Quit india Movement.of 1942, as Bhabani Bhattacharya does in so many hungers! Though the Quit India Movement was a clarion call made by the Congress demanding the withdrawal of the British rule from India, Khushwant Singh does not record the great historic upheaval in this novel. But as an artist, he had a full liberty to choose events and persons that suit his artistic purpose.

This Dissertation is an attempt to explore the treatment of Realism in Khushwant Singh’s most popular novels, Train to Pakistan, I shall not Hear the Nightingale , Delhi, The company of women and Burial at Sea. Train to Pakistan happens during the 1947 Indo-Pakistan partition, and I shall not Hear the Nightingale, novel revolves around the Pre-Independence period. Delhi attempts to study how Khushwant Singh, as a post-colonial essay writer just like essay writer Canada questions the very notion of history and attempts to project, present and reconstruct a history of 500 years of the city of Delhi, The Company of Women is the story of Mohan Kumar and his sexual expeditions. Burial at Sea is modeled on the life and achievement of Nehru in the guise of Victor Jai Bhagwan Singh.

Mano Majra, a tiny village in Punjab , serves as the fictional setting for Train to Pakistan. It is situated on the India-Pakistan border, half a mile away from the river Sutlej. Though the frontier between India and Pakistan has become a scene of rioting and bloodshed, life in Mano Majra continues to be peaceful. The village is portrayed as an epitome of India; it has Sikhs, Muslims and Hindus living in harmony and amity.

Life in this sleepy, little village of Mano Majra is regulated by trains, which rattle across the railway bridge spanning the river. The Mano Majrans are ignorant of Indian politics and their leaders. This idyllic tranquility suddenly receives a jolt when on an August night a gan of dacoits murders Ram Lai, the village money lender. Juggut Singh, “the tallest man in the area” (TP33) and a notorious character is suspected of the murder and is arrested. At that time Juggust Singh popularly known as Jugga, is out in the fields with his beloved Nooran, the daughter of the old Imam of the village mosque. Juggut Singh served several terms in Jail and as a confirmed “budmash” (TP76) has been asked not to leave his house after sunset. As it is , he unable explain the cause of his absence at the time when Ram Lai’s murder took place.

Simultaneously, the police arrests Iqbal, a Wester-educated youth, who has been sent by the communist party of India to preach Hindu-Muslim unity and brotherhood among the people. He is a social worker. He, being a stranger in the village, is suspected to be a Muslim leader and is remanded to police custody. Iqbal is a city dweller and an embodiment of western culture and education. He has strong faith in the ideas of proletarian revolution. The situation at Mano Mjara takes a turn for the worse; a commotion is caused with the arrival of a ghost train from Pakistan loaded with the hideously butchered corpses of Sikhs and Hindus. This instantly inflames the communal frenzy of the Mano Majrans. As the nightmarish madness takes over them, there follows senseless killing, looting, burning, raping either in provocation or in retaliation.

Hukum Chand, the Magistrate and Deputy Commissioner of the districts, is actually conscious of the calamity situation. He is however, lascivious and is engaged in a sordid affair with Haseena, a teen-aged prostitute. He is a practical, worldly man of easy morals. He is highly sensual, his primary motivation being hedonistic. A group of young Sikh fanatics come from outside to incite the Mano Majrans to take revenge upon Muslims for what they have done to Hindus in Pakistan. The hot-blooded contrive a scheme to annihilate Muslims collectively. They plan to fire at the train carrying refugees to Pakistan, due to leave Chundunnuger after midnight. They decide to stretch a rope across the first span of the bridge. It would be a foot above the height of the funnel of the engine. When the train passes under it, it would sweep off the people sitting on the roof of the train. People with swords and spears would be right at the bridge to deal with those that fall off the roof of the train.

Hukum Chand orders the release of Jugga and Iqbal who had been wrongly implicated and arrested. They, he thinks, might exert some influence on the misguided youth and save hundreds of Muslims from being butchered. After securing his freedom, Jugga finds Mano Majra changed. He finds that all Muslims have quit the village from the refugee camp. Jugga’s immediate concern is the fate of Nooran, his sweet heart. When Jugga learns of the conspiracy and comes to know that the train to be attacked is carrying his sweetheart Nooran, he resolves to do something to avert the catastrophe. He plans to prevent the attack at the cost of his own life.

As all wait for the train, Jugga climbs the steel span of the bridge. Others notice him only when he has got to the top where the rope is tied. They think that he is testing the knot. Jugga however whips out a small kirpan (knife) from his waist and starts slashing at the rope. Other Sikhs, who have been awaiting the cutting of many people into two like a knife slicing cucumbers; spot him in the darkness and fire shots at him. Jugga heroically clings to the rope with his hands and cuts it to pieces. The engine is almost on him. He drops down dead and the train goes over him, and on to Pakistan. Thus jugga redeems himself by saving the precious lives on thousands of Muslims in a heart throbbing, suspenseful climax. The tragic love story of a sikh boy and a Muslim girl, interwove n with a catastrophic event, seeks to bridge the wide gulf of communal hatred.

Jugga’s love is indeed a positive and dynamic force in the novel. The love affair between the burly Sikh Jugga and the pretty Muslim girl cuts across religions barriers. Khushwant Singh depicts the emotional ties between the two.

Khushwant Singh’s second novel. I shall not hear the Nightingale, published in 1959, again has a historical backdrop. The action of the novel takes place during the war years, from April 1942 to April 1943. IN terms of Indian History, it is about five years before the country’s attainment offi-eedomand revolves round the Quit India movement.Though the background of the novel is occupied by political situations Buta Singh and his family occupies the foreground of the novel. Butta Singh, Sher Singh, Wazir Chand, Madan Lai and Mr. Taylor are the male characters and Sabhrai, champak, Beena, Sita and Shunno are the female characters in the novel. Though the novel provides less scope for the art of characterization, Khushwant Singh has developed Sabhrai’s character fully. Here is the only multidimensional character and the rest of the female characters are only occasionally mentioned according to the requirements of the plot.

In this novel, Khushwant Singh explores the conflicts and tensions that arise in the family of Butta Singh, He is a magistrate in the court of the British Commissioner. Mr. Taylor, He has a very God-fearing wife named, Sabhrai, the following lines best portrays her character. “Sabhrai was possessed of that sixth sense which often goes with people of deep religious conviction” (ISHN 141). This couple has a son, Sher Singh and a daughter, Beena. Shunoo and Mundoo are servants in their house. Sher Singh has a friend named Madan Lai, who is a well known cricketer. Beena and sita are friends and classmates. Similarly the elder Buta Singh shares the same office with Wazir Chand, the father of Madan Lai and Sita, Champak , the wife of Sher Singh is portrayed to be a very licentious and tempestuous woman in the house of the Buta Singh and Sabhrai. She is portrayed as a contrasting character to Sabhrai. Dyer is the Alsatian dog that these people won. This dog is very friendly with Sher Singh and goes hunting with Sher Singh right in the first chapter, and is with him at the time of his arrest for anti-governmental activity.

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Narrative Essay Writing — Guide by Our Canadian Essay Writer

One of our writers wrote a great essay and we thought that I should write an article about it. It is a work of almost a work of poetry. This essay falls in the type of essays called  “narrative essay“. After reading the essay, I can clearly tell that the writer in his essay is a male character. He shares his memories while narrating about a lover that he once encountered.

Style of Narrative Essay Writing

The writer has employed several language styles in this work. Also, the writer uses an elaborate language with a particular choice of words. After reading this narrative essay, it is notable that the tone of the essay is sad and resigned. Further, the mood of the essay keeps shifting as one goes down from one stanza to the other. Some of the mood created by the essay include: nostalgia, gloomy, solemn and that of loneliness. Besides, the writer uses short sentences while developing the stanzas throughout the essay. The brief sentences help to generate tension thereby creating greater impact on the reader. The brief sentences also prompt the reader to pause and think of what the essay is all about.

In my view, the writer attempts to create an impact of triggering the readers to reflect on individual’s feelings and longings. There is an element of openness that the writer aims to promote. Through the paper, the writer also gets a chance to freely share his own thoughts concerning what he feels. He is able to inspire the readers promote good act while condemning the unsuitable ones. The role of the essay in the society therefore remains to very fundamental.

Use of Words in Narrative Essay

The second stanza in the part labelled as ‘Suite one’, the writer repetitively uses the words ‘and here’ also ‘and over.’ The repeated words help to create rhythm and also assist to emphasize the writer’s idea. As a reader, the repetition increased my enthusiasm and raise my curiosity and I wanted to read on the paper. I find the mood in this stanza to be solemn. The writer intends draw the reader’s attention to a room where in the stanza that follows, he goes on to vividly describe his situation. The writer uses vivid description and as a reader I can picture him all by himself in a dark room. The tone of the persona at this point is gloomy. When the writer says,’ quietness, in me and the room’ a mood of loneliness is depicted.

Through keen analysis of the two stanzas, the writer has used only repetition and narration styles. The writer uses the words elaborately to pass the message. This is due to the need to be understood by the wide range of readers from all walks of life.

Other Word Usage

On the other hand, the writer uses several other figures of speech to put across his ideas in the paper. For instance, on the stanza titled ‘Flies’, the words ‘ceiling ‘and ‘making’ are rhyming. The Rhyming words make the essay more musical and makes it easier to memorize in a case of recitation. However, it is notable that there is an irregular rhyme scheme in the entire paper. Another style that has been used in the rest of the stanzas of the essay is alliteration. An example be drawn from the stanza with the words ‘skin, shuddered, secretly’. The use of alliteration in this essay is amazing.

Other than creating musicality, alliteration aids to create a particular mood in a paper. As I read the words in the essay, a mood of sadness and despair suddenly took a better part of me. allusion as a style has also been majorly used by the writer.

Hints At Someone’s Previous Works

In the stanza one of the stanza, the writer alludes to two books by Marianne Moore. In another instance, the writer also alludes to the Cypress Street. The use of allusion in the essay is a way through which the writer pays tribute to some people or places that he may be connected with in a way or another. Allusion also enables the reader to connect with reality and relate what is in the paper to real life. I would also like to highlight the employment of the enjambment style by the essay writer.

I observed that throughout the stanzas, the writer chooses to not use punctuation marks. This style lets the writer’s ideas continue from one line to the next. The style services to create a component of surprise or the reader and also enabling flow of thought. The level of tension which the enjambment style generates is also startling to a reader. It captures the attention and motivates them to read on.

Dialog Usage in the Essay

Furthermore, the essay writer uses dialog in the stanzas that lie towards the end of the paper. The dialog is between two individuals who are conversing but seem not to be reading from the same page. The character asking the questions wants to know certain things in order to understand the other party better.

Within the dialog, the writer has embraced imagery. This is seen where the writer mentions pears and apples and in the next part he writes “are you talking about process and individuation” which he then agrees to. It is clear that the dialog characterizes two parties that represent diverse views. Within the dialogues, other styles of grammar like alliteration, allusion and the use of rhyme have applied.


Conclusively, being, in our opinion, the best essay writer in Vancouver , who also works for us at in the essay expresses thoughts in a long piece of art. The essay which is developed on the first person narration uses various language styles like alliteration, allusion, dialog, rhyme, rhythm and imagery. These are meant to capture the reader’s attention, increase the musically of the piece, assist in creating a mental picture in the reader’s mind and help them to understand more. Essays ought to be embraced as it aids us to recognize and appreciate our surrounding.

Author bio:

I am one of the writers at EssayCanadaWriter and I decided to write an article about the essay of our writer. As a ghostwriter, I do not want to mention my name, but in a real world, I’m just a simple guy from Canada with a simple life. Writing essays and articles is what I do for a living. Here I have a team of fellow writers and our main goal is to help students. Also, check my guide about how to write about real people withoug hetting sued here.

How to Write About Real People Without Getting Sued – Guide by

We all have them in our lives: the excellent fodder for characters in our fiction. Maybe it’s your Aunt Sheila who is flat broke and still charges designer shoes by the ton, or your high school boyfriend who tragically broke your heart after the big game, or your father who abandoned you and now hits you up for money. I was reading this article and thought that I should write my own guide.

Maybe you’re worried about putting these people in your fiction because they would recognize themselves. Maybe they would get mad at the not-so-pretty picture you paint of them. Maybe your relationship would be ruined, or at the very least, strained and awkward. Maybe you’re afraid they’d go so far as to sue you for defamation. So far, you’ve held back.

If there’s an intriguing character sitting in your living room just screaming to be let out, then go for it. Here’s how.

Fictionalize The People

There are ways to hide real people so that they (or at the very least, their neighbor) won’t recognize the character as a portrayal of themselves. Change details about the person. Keep in mind that you aren’t required to change every single little thing in this list. You’ll find what works and what doesn’t as you build your character.

  • Gender. If your mom is a loon, then make the loon of the book be the father.
  • Relationship. If the real-life story involves your sister, then make the character be the brother, or even better, a cousin. Make your best friend your sister or brother.
  • Physical characteristics. Make that blonde in your life a fictional redhead. Add physical deformities, scars, etc., or take them away if the real person is afflicted with such. Add glasses or a big nose. Make the skinny be fat. Write the health nut as a chain-smoker.
  • Jobs and hobbies. Make the birdwatcher a hunter, the hunter an antique. Write the lawyer as a stewardess, the stewardess a teacher. Change the favorite TV show from American Idol to Maude. Every little detail helps you distance the real from the fictional.

Fictionalize The Events

If the story you really want to tell is what your sister did to her ex-boyfriend’s car after he broke up with her, then that’s great. But don’t follow every detail of the true-life story.

  1. Real life: Your sister’s boyfriend started cheating on her with her best friend. She found out and he had the nerve to get mad at her and break up with her. In a fit of rage, she keyed and egged his car, got busted, and spent the night in jail (a horrible fall from grace from her previous goody-two-shoes life). Respect their privacy.
  2. Fiction: The main character’s male friend got cheated on by his girlfriend with one of his close friends. He found out and the girlfriend dumped him. In a fit of rage, he hacked her MySpace account and posted compromising photos and crazy bulletins proclaiming that she’d found her true sexuality. He got busted for cyber-harassing.

Fictionalize The Life Story

If your novel is entirely based on your life story, then you have some extra tweaking to do. Follow the tips above for transforming your family and friends, but then go a little deeper, especially if you don’t want to reveal to Mom and Dad all the ways they ruined your life.

  • Change the family. Don’t make the novel family be a mirror image of your own. If you have one sister, then make the character have two brothers. Make the family dog a cat, or three birds. Make babies be older children. Fiddle with the marital details of your parents. (Obviously, if your story is that your parents’ divorce ruined your life, then you can’t make the fictional parents be married. But change the way the met, the way they treated each other, the things they fought about, who was right, who was wrong, who got punished, etc.)
  • Change the circumstances. If you lived in a house, then the fictional family could live in an apartment. Change the street, city, even the state. Change the reasons why you and your family were unhappy. Modify the things you did together or the things you said to each other. Tweak them as you see fit. If you have a story to tell, tell it; just try to distance yourself from it.

If All Else Fails, Hide!

If you can’t work it any other way, write under a pseudonym. Those people that you’re writing about may not be as angry when they realize that no one else will know the character is them —because they won’t know the author is you.

Author bio:

I am one of the writers at EssayCanadaWriter and I decided to write one article for our new blog section. As a ghostwriter, I do not want to mention my name, but in a real world, I’m just a simple guy from Canada with a simple life. Writing essays and articles is what I do for a living. Here I have a team of fellow writers and our main goal is to help students. This is my short guide for you, hope it’ll be useful and come in hand.